About Me
Jordi Rosado
-February 2017 collective abstract art exhibition at LADAME GALLERY LONDON
-Abril 2017 participation in KÖLNER LISTE 2017
-SUMMER - EXPO 2017INTERNATIONAL COLLECTIVE EXHIBITION IN BARCELONA
-Selected for the edition of the contemporary art book: Imitation of life.Edited by LOOSENART GALLERY. December 2017
-FRAMMENTI SENZA TEMPO (Timeless Fragments) FESTIVAL of Visual, Sound and Performing Arts. December 2017 ( Italy).
-Selected for the edition of the contemporary art magazine.Edited by WOTISART November 2017
-Recollection January 11 – February 10, 2018 . Union Street Gallery( Chicago). Work La Pell 1.1-EXPO GALLERY ABARTIUM( SPAIN). 9/11-2/12 2018.
-ARTWORKS IN RESIDENCE Gallery ROSSOCINABRO.( 2018/2019 Work in progress)
-XXXIII MUESTRA INTERNACIONAL Y MULTIDISCIPLINAR DE ARTE CONTEMPORÁNEO( Fundación Claret de Barcelona) 2019
-ARTSY Alessandro Berni Gallery. 2019( https://www.artsy.net/artist/jordi-rosado)
-What Is Art at the Boomer Art Gallery London 2021-"Nel Mezzo" Venice Biennale 10 April 2022 GaleriaZero
Biografía
En estas frases no explicaré exactamente qué quiero contar en mi trabajo, qué significa lo que fotografía. Realmente me expreso visualmente, así que trato de explicar con palabras cómo sería la fotografía masticar la comida para otra persona. Dar demasiadas explicaciones sobre tu propio trabajo hace que las personas vean tu trabajo como tú quieres que lo vean y no realmente como lo ven ellos. Por eso mis palabras intentan justificar que voy a dar sólo algunas referencias de cuáles son mis creaciones, ya que las necesitáis. En muchas de mis obras y en parte de mi obra, se relaciona con la existencia. No sólo con la existencia del ser humano, si no, lo que el ser humano no ve o no sabe, no existe. Quiero decir que en muchas de mis obras lo que hago es hacer existir cosas que no existirían sin la presencia del ser humano. Entiendo que si ves una de mis obras, si no te explico exactamente qué es, nunca pensarás lo que quiero expresar. Por tanto, la existencia del pensamiento ante una misma imagen es múltiple. ¿De ahí la idea de que mis obras deben ser explicadas antes de ser vistas? ¿Solo títulos sugerentes que te evoquen a mi pensamiento? ¿O interpretación libre? Me gustaría más la interpretación libre, lo que evoca la imagen al espectador es su realidad y el espectador hace suya su existencia.
Stament
My works of art are created from long processes of reflection on how erotic is the world that surrounds me and at the same time how painful it can be to live. For a long time the works go mastering inside of me, until one day, camera in hand, I go out to the street, to the forest, my garden ... in search of everything that I have inside me. I like that my work comes out of something similar to improvisation.My creation comes from the need of the moment, my main idea is to not say anything concrete in my work, aesthetics by aesthetics is what I like to do. Most of the time, once the work is finished, I observe it and it is here where I find an explanation of my creation, and it is fantastic because I can have the same sensation that a spectator has when observing my work.To be able to understand better what I want to explain, I will comment on a photograph, which made me reflect on my work: For a while I photographed my hands, arms, my body, in communion in nature, and I did not know why, and I did not know if what I liked. A long time later, one day climbing, (whenever I leave home I take photographic material) I saw a very nice mini tree, and suddenly I thought that my arm would be perfect in that tree. I put the camera mounted on the tripod and made a self-portrait. Here was where I started thinking about existence.Then, my work, often do not have connection with each other, and although most of my work is black and white in digital, I can also make color in digital and to a lesser extent black and white in analog.
Work with Me
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